figurative art

Painting and Drawing

This is how I want to paint, with the pentimenti. The beauty and poignancy of mistakes is one reason for the power of a work of art. It is why I love looking at drawings, where the thought process is still evident. When I find myself unable to paint it is usually because I am trying to be perfect: an impossible task. If people expect it of you, run.

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Where I Am Now

Today was the first day I felt I could work in my studio in many weeks. I began this 16 x 20 inch oil sketch. It is a preliminary study for a larger 30 x 40 inch painting I will be making. The figure in the background and the snake in the foreground are taken from a drawing in the collection of the Princeton University Art Museum. The dog is Sammie, of course, while the figures are models on the Croquis Cafe website. The composition’s subject is how I see things now. That is rather like hell. However, the presence of Sammie, whom I only added towards the end of the workday seems to indicate I am feeling less hopeless. A good sign.

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From the archives

I updated the paintings page of this website, confining the work to approximately the last seven years so these images had to go. They exhibit my more expressionistic style, and some are painted collages, juxtaposing images from my personal photographs as well as those found in special collections and archives.

oil on canvas, 30 x 40 inches, 2012
oil on canvas, 36 x 36 inches, November 27, 2012
oil on canvas 30 x 40 inches 2011
oil on canvas 30 x 40 inches 2011

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Daniel in the Lion’s Den

This painting was created in response to our perilous political times. We are indeed in the Lion’s Den and though I do believe in a higher force at work, only our common sense will save us. Though it is nice to think that faith alone can be a guiding light, we all see faith so differently, that in the political context it gives less comfort than perhaps it should.

Daniel, complete
Daniel, in process
Daniel, in process
Daniel, in process, detail of face

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