Beginning, middle, end

These three paintings are in various stages of completion: I just started the painting of the sheep today, while I am working to bring the painting of two male models to completion. Mike’s garden is pretty much done. The most difficult part of painting for me is finishing. I am not sure if it is the actual tasks involved or the anxiety it brings, but I feel aggravated. The questions I ask myself when I am trying to finish a painting add to the frustration. “Are you sure you are done?”; “Can you do better?”; and the old chestnut “Is it really good enough?”

Oil on canvas, 11 x 14 inches, beginning
Oil on canvas, 24 x 30 inches, 2021, in process
Oil on linen panel, 8 x 10 inches, 2021, complete

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Women Play Baseball

Funded by the Russell J Efros Foundation’s Sprout grant. This is a portrait of Kristen Moldovan, who pitched for the Massapequa, NY team in the Junior Little League World Series in 2013.

Portrait of Kristen Moldovan

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It is not where you start, but where you finish

This painting started out a dark blob, as Maryanne said. I doubted I could describe and delineate the vegetables clearly enough. But after close observation, I put it all together. This is a picture of the Open Veggie Sandwich at Duck Soup in New Hope Pennsylvania. Carla makes it different each time she cooks it. The day I took the photo for this painting I thought her creation was particularly masterful. The pancake in the upper left corner looks good too.

  • Open Veggie Sandwich from Duck Soup

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Great Gift

I saw Summer Clearance and other performers at Martine’s this past weekend. While there, I got to give Summer this portrait I painted of him in 2013 from a photo taken at the New Hope Gay Pride Parade that year. The appreciative email Domenick/Summer sent me will be printed out and put up in my studio to inspire me to keep going.

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Two models with flowers

After some more painting time, I have tentatively changed the title. I have worked on the two male figures some more and will add some flowers behind and in front of the foreground model: hence the title change. Feel encouraged after showing this for critique at the Artists of Yardley on Wednesday night though it feels like this one is taking forever. That is the problem with getting older; moving slower, and thinking I have to race the clock. I am both the train that could and that slow tortoise. I like the foreground figure’s face, but am afraid it most likely will have to change going forward.

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