I am beginning to call the San Francisco area fighters the Olympic Club fighters because the name is more concise, as the photograph album images I am working from contain fighters from that athletic club. An observation I made while painting was I am using paint like I am building a body from clay: pushing parts together with force. Though I often paint that way, the surface being naturally colored linen (a beige color) makes the painting of the face that much more difficult. I have to make the colors more vibrant to compete with the surface, and this pushes me to be more forceful with the paint application itself, not just the colors I use.
Fighter A902. He’s brighter than the weather which is gray and dreary.