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Old Masters

The body

Today I am remembering the joy of discovery that accompanied life drawing which I did almost every day for years when I was in my teens and twenties. The feeling I am describing often happened when I found the plane that emerged from the lighting being just so. The plane affirmed what I had learned in anatomy class or from my studies of plaster casts, old master drawings and marble sculptures. I am discovering this feeling anew while painting from a beautiful drawing by Pontormo.

When I was looking for the next images that will occupy my attention I knew that I wanted to get back to the body. I thought of my friend who told me that my paintings of bodies captured the pain that lives within the body.

I have written before about the books my father brought home from Europe and one in particular was a book of Michelangelo drawings that I would copy. When I was at the NY Academy, I fell in love with Pontormo. I thought about what is beautiful to me, what could take up all of my attention, and I thought of these drawings. I have a copy of the Hacker Art Books revised edition of of Cox-Rearick’s 2 volume The Drawings of Pontormo. But of course the quality of the images do not compare to the digital ones I found on the Getty Open Content site. I printed the Reclining Youth and have been studying it and painting from it. I hope this will take me further into other drawings by Pontormo as well as drawings I have done in the past.

I am seeking a transformation with these paintings from drawings: by taking something I love and all of the feelings that are attendant with that love I hope to create something intense and profound. At first I was thinking of the Buddhist concept of emptiness and trying to achieve this through the contrary process of addition. The result: to achieve a sort of disappearance or separation from time and place. But that is perhaps too much of a task. I will be satisfied with achieving a definition of alchemyan inexplicable or mysterious transmuting.

The image below was begun only recently. Much more to discover.

Reclining Youth (from Pontormo drawing)

A Plethora of Drawings

Besides the very obvious but often neglected aspects of life that one is grateful for: love, friendship, shelter and security, it is a blessing to be able to draw. Drawing is a way to slow down, to really look and see. It is the artistic soul’s equivalent of a spa day. That is why I am very excited about the The Morgan Library and Museum’s two drawing shows which are up now. One is of Leonardo’s works, the other consists of the Morgan’s collection of 18th century Venetian drawings. Looking forward to seeing both of these on my birthday. Closer to home beginning in late January the Princeton University Art Museum will be mounting an exhibit of some of their Italian drawings. Although the exhibit is a departure from the traditional old master works, the description of the Brush Writing in the Arts of Japan show at the Metropolitan Museum pertains very well to the classic draftsperson of the Western world. For a fresh take on drawing, the Newark Museum’s Papyraceous is an offbeat look at works on paper. At this time of year, when multitasking and distraction is even more pronounced than usual, it is wonderful to quietly observe and linger.

Portrait of a woman in profile