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Once again, my very part time job as a cataloger in the Rare Books & Special Collections Department at Princeton University has supplied me with wonderful source material for painting. This time, instead of fighters’ portraits, I found a board game named ‘Physogs‘. The game pieces contain faces devoid of features. The features are contained in separately numbered strips. Much of my work grapples with gender identity and one way I am using this game is to create faces that are gender neutral. But other ambivalences will be imagined as well. In these works, I wish to subvert the game’s intent that conclusions about character can be based on facial characteristics. By placing features on these faces in unexpected combinations, I wish to undermine the notion that people can be known through physiognomy. We are far more, and much more mysterious.


My work has changed

These look best together. I photographed images from movies and media, and manipulated them in Photoshop. Then I created paintings from the changed images. I have an idea that our perceptions are false, and therefore when we look at people we see our false images of them. Movies, photographs and stories in the media all serve to cloud or blur our vision. Hence the blurriness of some of these, as well as the soft focus in others.